Writing A Treatment Lilly It's The political climate in China is very unstable.
The political climate in China is very unstable. When ANNA, the young pregnant wife of an outspoken journalist is left widowed after a vicious assassination, friends whisk her out of the country to sympathetic expatriates in Queens, New York.
Anna is lethargic, lost in pain. They share a run-down apartment in a maze of tenement buildings, serviced by a few small markets in a bad part of town. June runs the local daycare center for the working mothers in this closed Vietnamese community. Anna, now seven months pregnant, is speechless and depressed until early labor forces a bone-chilling howl of pain from her parched lips.
The baby is born, Lily, a perfect little girl, but Anna is too deeply distressed to bond. As the weeks pass, Anna slowly recovers. Anna sees the mothers drop off and pick up their children, tension and fear in their faces.
When Anna asks why there is so much stress, June explains that everyone owes the syndicate, the local arm of the people who helped Anna escape.
Jon Van is the boss. June reveals her hatred of the syndicate, telling Anna of their exploitation of their own kind. June helps Anna improve her English, warning her to keep it a secret. Their nightly practice bonds them together like sisters. But as time passes, June becomes more and more depressed and decides to run away.
Late one night, June tries to escape. When Lily wants to know about her father, Anna makes up a wild story. She tells Lily her daddy was a famous patriot, who died to save her and many others from the oppression in their country.
She tells Lily that Daddy really escaped and came to America, where he is searching for them everywhere. This fantasy helps Anna to resolve her trauma over the death of her beloved husband and she begins to mend.
Jon Van visits, and puts her to work.
Jon Van lays down the rules: No English in the home, no western clothes, no contact with TV. Jon Van makes his usual pass, but Anna only looks at him with scorn. She begs her mother to teach her English and buy her regular American clothes.
She goes to Jon Van and asks that her daughter be allowed to wear American clothes and learn English. Jon Van warns her to stop this revolt, reminding her of her illegal status.
When she argues, he reminds her about what happened to June. He then offers to help Lily if Anna will respond to his advances.
Defeated and repelled, Anna returns home, realizing that June had told her the truth. The months pass, and Lily continues to attend school.In the world of writing, if you want to sell an idea for a story, whether you have written it yet or not, you write a treatment.
A treatment is a summary of your story written with a marketing slant to sell your story to television, print, or film. Sep 07, · No matter what genre you’re writing the treatment for, it has to hit the reader with some real emotion. Make them feel fear, sadness, or joy by the way you describe the characters and the story.
If your goal is for the film audience to be scared, make the treatment instill fear. Quick Tips. Related Articles. How to. Write 92%(54).
Sep 25, · No matter what genre you’re writing the treatment for, it has to hit the reader with some real emotion. Make them feel fear, sadness, or joy by the way you describe the characters and the story. If your goal is for the film audience to be scared, make the treatment instill fear.
Quick Tips. Related Articles. How to. Write Views: K. tips for writing a film treatment (only if you must!) When you are hired by a film producer to write—or significantly rewrite—a script, you may be asked to write a treatment for the producer before creating your first draft of the screenplay.
What is a Film Treatment, and Why Do I Need One? By Micki Grover. Tweet. First, writing the treatment is an excellent way to force yourself to get the intricacies of your story down on paper before you even think about writing FADE IN.
Let’s be honest, most of us are guilty of having jumped into a new draft when there were still gaping. How To Write a Treatment: Clear Steps With Examples. by Philip Gladwin. The odds are high that your chosen script exec/producer/director will want you to write a treatment for the show at some point (alongside a great screenplay for the pilot episode).
If you are writing a single drama, or a closed serial, this could be the protagonist.